“When the original early demo was released, back then in 2011, the concept was to create a short progressive minisuite with three distinctive sections”, Andres says. “Back then, we knew the real track would be a lot longer, but we weren’t considering it to be an orchestral / classical piece. Colin and I were going for a 70s sound: No orchestra, but lots of Mellotron and old synth sounds. In hindsight, it sounds pretty awful.”
Hey! Long time no see!
It seems to be a custom of mine to apologize for my long absences from the blogosphere, but most of the time I got good reasons for leaving and good reasons for coming back!
The reason I keep leaving is, for the most part, being busy. Good busy, though. As a musician, keep oneself busy is one of the most important things one can (and should) do.
What an album.
I feel like I’m being a little biased towards it, considering I was involved in its creation. On the other hand, I think I can objective about the album as a whole. Some may not consider it strictly prog. And they’d be right. It is not. It’s not prog folk either. Read more
A week passed by, and here I am, writing my third blog entry. I feel the posts are a tad too close together, so I’ll be changing the frequency of my blogging from twice a week to just once a week: on Wednesdays.
Don’t worry, I know you’ll survive 🙂
Bianca is my pet dog. She’s just like any other pet, with classic doggish hobbies: running her legs off, spinning 10 times before lying down, chasing tennis balls (and not giving them back) and walking on the park.
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 and ... )
Wow. What a difficult album to review.
Not only because of its sheer length (1 hour and 20 minutes), but because it can’t really be labeled in any genre. Is it prog? Yes. Is it jazz? Yes. Pop? Check. Rock? Check. Blues? Also check.
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, but because it can't really be labeled in any genre. Is it prog? Yes. Is it jazz? Yes. ... )
